How did you approach the eyewear industry? Was it by chance or because of a personal passion?
I started designing for Lindberg Eyewear whilst I was still studying at the Architecture School, then it quickly became a passion.

You have had some years of experience in watch design in the past. What are the differences between this particular segment and that of eyewear in terms of competencies and skills? How has that stage in your career helped you to shape your present work?
What I love about both product categories is that they enhance your personal character. In eyewear, the fitting and expression is even more important, as small deviations make it look all wrong in your face. However, I think that there's a lot of inspiration to be captured from within the two industries.

Quality materials are core to every Kilsgaard collection. Which ones you do find most inspiring?
When the different designs are subtle and clean-cut you start noticing the material and the detailing much more. The richness of the patterns, the colours and the tactility become much more important. When working with the exclusive Japanese acetates, I get totally wrapped up in the rich patterns and the deep complex colour tones. I love that!

Talking of inspiration, what are the highlights of the Spring/Summer 2022 collection?
In general, I don't consider the changing seasons a lot when I'm designing the Kilsgaard collections. I want to make evergreens that do not relate to a specific period of time. However, I have a focus on volume, deep rich patterns, and refined colour tones all through the collection. When you take away all the unnecessary decoration and pave the way for a clear and confident design language, you achieve a strong and timeless expression of design.