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Pure Geometry
Words Alessandra Albarello
27/10/2026
A single continuous line is enough to define the character of a pair of glasses. Pure, pared-back designs that make a statement with a simple stroke, while drawing inspiration from the past
Certain details define the purity of a shape more than others, subsequently translating it into accessories and design objects. In metal eyewear, a thin, continuous line that reinforces or replaces the front has over time become a graphic signature of precision, simplicity and aesthetic rigour. Especially when it contrasts with semi-rimless lenses in a quest for balance, harmony and lightness.
Yet this does not necessarily mean minimalism. Just look at the Petit CD A1U model by Dior, with its large aviator shape, gold frame and gradient lenses. A straight, decisive line crosses the lens, visually recreating the classic double bridge, as is also the case with the SPLV32 model by Police, from the Origins line, which reinterprets the iconic shapes of the brand founded in the 1980s in a contemporary twist. The semi-rimless model with acetate and metal temples, The Curator DB 1225/S, from the Timeless Icons collection by Eyewear by David Beckham, instead draws inspiration from the 1950s. Available in four different colourways, it features a grooved pattern on the satin-finished metal that enhances its vintage appeal, and is fitted with anti-reflective lenses.
Still on the subject of heritage, the story of Solamor (opening image) is emblematic. A historic French brand that enjoyed great success in the 1950s and 1960s, it was founded in 1946 from an idea by Georges Lissac and revived for a contemporary audience thanks to the intuition of the Miklitarian family, namely Alain Mikli and his son Jérémy, owner of the Tarian brand. A meeting of sensibilities and visions that has brought historic models such as Sport 1000 and the Amor A line back into the spotlight, including France Sun, made of titanium with semi-rimless lenses. The spirit and identity remain the same; only the production approach has changed, while continuing to pursue the highest quality, with the decision to design the glasses in Paris but manufacture them in Japan.
Another brand that has by now become firmly established in the public consciousness is Renauld, whose range includes The Sixty-One model, reintroduced each season in new, limited-edition versions. Created in 1961, it became legendary also thanks to Elvis Presley, who was one of the first to wear it.
Turning to the contemporary scene, we find Jacquemus Eyewear, whose aesthetic language is characterised by a strong personality, both in accessories and in clothing. Made by Linda Farrow, the glasses express lightness and determination at the same time, as in the JAC206C3SUN model, where the metal bar glimpsed behind the single lens becomes a supporting structure in a play that makes the invisible visible, transforming hardware into software. A metal line thus becomes a distinctive design signature, beyond time and trends.